Licences are valuable tools
Alicia Wise, chief executive of the UK's Publishers Licensing Society (PLS) and also on secondment to the Publishers Association, explains why licences are particularly valuable now that so much content is digital
Alicia Wise, chief executive of the UK's Publishers Licensing Society (PLS) and also on secondment to the Publishers Association, explains why licences are particularly valuable now that so much content is digital
The internet is changing the ways that publishers negotiate rights with authors. Sian Harris reports from the London Book Fair
The UK's Newspaper Licensing Agency is using Flax enterprise search software in its new clippings service
Mark Bide, project director of ACAP, explains how publishers can make their rights and those of their authors clear to search engines and why he believes such efforts are required
For the information professional working in the medical world, demands are intense but cash is tight. Rebecca Pool talks to GE Healthcare's Tracey Evans about its Knowledge Centre
John Murphy finds out why start-up company Co-Action Publishing has chosen the open-access model
Sian Harris reports back from London Book Fair on the latest in JISC's e-Book Observatory project
Charlie Rapple reveals the challenges and opportunities of marketing in a recession and how a new web-based community could help
The pandemic has pushed the use of technology to the fore and it is likely to remain there, writes Tim Gillett
Lou Peck and Phil Hurst cast an eye over proceedings during Peer Review Week
Academic publishers are railing against inaccurate stories and asking the scientific community to do more, writes Matt McKay
We've recently seen some positive and impactful changes to the way in which the OA landscape can work, writes Steven Inchcoombe
Rebecca Pool asks: has Covid-19 pushed the move towards open data to the point of no return?