Interviews
Publishers should publicise their value to researchers better, believes Steven Hall, the new managing director of Institute of Physics Publishing
Researchers have the same core content needs as they had in the past but the way they use content is changing, says Mary Sauer-Games, senior vice president, market development at ProQuest
Sarah Greene has just been appointed editor-in-chief of Faculty of 1000 (F1000) as well as editor of The Scientist magazine. We ask her how post-publication peer review helps researchers guide scientists to the most important work
Digitising and tagging resources helps researchers find what they need, says Alastair Horne, innovations manager of Cambridge University Press
Elsevier's ScienceDirect platform is now 10 years old. We ask Rafael Sidi, the company's VP of product development, how things have changed over that time and what the future holds
Over recent months there have been several big announcements from EBSCO, including the purchase of e-book aggregator NetLibrary from OCLC and the launch of EBSCO Discovery Service. We asked Tim Collins, president and general manager of EBSCO Publishing, to tell us more about the company's plans
We ask Victor Henning, one of the founders and directors of Mendeley, about the reference management start-up
Web technologies offer researchers new ways to find and use information but publishers need to innovate to help them, believes John Haynes, vice president of publishing at the American Institute of Physics (AIP)
Jacek Ciesielski, general manager of Poland-based publisher Versita believes that article-level marketing helps attract good papers and boost journal impact factors
Olaf Ernst, Springer's president of eProduct management and innovation, talks about some of the new developments in electronic publishing
Kai Ekholm has been director of the National Library of Finland since 2001. He is also chair of IFLA's Committee on Free Access to Information and Freedom of Expression (FAIFE)
Alicia Wise, chief executive of the UK's Publishers Licensing Society (PLS) and also on secondment to the Publishers Association, explains why licences are particularly valuable now that so much content is digital